
('DACIA', 2014, oil, acrylic, spray paint on canvas, 240 x 400cm)
Time in your mind
make it mine
It's in the way that I move
the brush
I don't want to choose
another day when I lose.
Baby let me take you home...
brush your nipples with my dick.
Somehow the forms
that emerge from these compositions have
anthropomorphic feat
ures. The lines are catc
hy, rhythmic, circular and sharp.
The clashing of colours and shapes is striking. In ‘DACIA’, the title of one of
my largest pieces is na
med after the first Romanian settlement 100 years BC
before the birth of R
omania, my native country. The painting is composed of
imagined archai
c shapes, relics, fossils and hybrid forms that form an idea of
the tribal and p
rimitive
('DACIA', 2014, oil, acrylic, spray paint on canvas, 240 x 400cm)
Time in your mind
make it mine
It's in the way that I move
the brush
I don't want to choose
another day when I lose.
Baby let me take you home...
brush your nipples with my dick.
Somehow the forms
that emerge from these compositions have
anthropomorphic feat
ures. The lines are catc
hy, rhythmic, circular and sharp.
The clashing of colours and shapes is striking. In ‘DACIA’, the title of one of
my largest pieces is na
med after the first Romanian settlement 100 years BC
before the birth of R
omania, my native country. The painting is composed of
imagined archai
c shapes, relics, fossils and hybrid forms that form an idea of
the tribal and p
rimitive
MR. E
2014
oil,
acrylic, spray
paint
on canvas 240 x 180cm
In ‘MR E’
Iam inventing a head from tiny hybrid shapes. The head is disappearing and
forming like an
identity cocktail. I portray a turbulent visual grammar
- disturbing, compulsive and floral
RATKING
2014 oil, acrylic, spray
paint on ca
nvas
240 x 180cm
My work explores identity, transform
ation and the future. I am influenced by expressive traditions of painting. My work is heavily dosed with eye-candy,
mature themes, a combination of co
lour and thick impasto. In painting I am in
terested in Romanian native folklore, art history, oriental patterns, embroideries, tattoos, Indian
abstraction, pre-Columbian tribal, Japanese
inks, neo-expressionism, abstract figuration, monumental scale, flow
ers, design and street art. The works deal with Freud
’s Uncanny
theory - where the familiar is corrupted by the
unfamiliar and the known haunted by the
unknown
2014 oil, acrylic, spray
paint on ca
nvas
240 x 180cm
My work explores identity, transform
ation and the future. I am influenced by expressive traditions of painting. My work is heavily dosed with eye-candy,
mature themes, a combination of co
lour and thick impasto. In painting I am in
terested in Romanian native folklore, art history, oriental patterns, embroideries, tattoos, Indian
abstraction, pre-Columbian tribal, Japanese
inks, neo-expressionism, abstract figuration, monumental scale, flow
ers, design and street art. The works deal with Freud
’s Uncanny
theory - where the familiar is corrupted by the
unfamiliar and the known haunted by the
unknown
THE FOREST
2014
oil, acryl
ic, spray
paint on c
anvas
400 x 240cm
In the last weekend of September my imagery is infused with urba
n semiotics and atmospheric th
rills. This can be
seen in my painting ‘The Forest’ whi
ch is about the exotic flora of Suffolk and my universal
safari. I have found appropriatio
ns with culinary associations such as a Spanish Paella chaotically arranged on a plate, a pizza or a bowl of fruit.
It is as if I am interpreting these plates on ca
nvas. I have worked in restaurants as a waiter. While there I have noticed the arrangement of food on the
plates, the fruits, the vegetables, the meat and the sauce. Sometimes I paint with my fingers, like eating with t
he h
ands, making the process about touch and sensation
My painting 'THE FOREST' giving a war
m glow to the room @U
CSLibrary
MIDNIGHT RAMBLER
2014
oil, acrylic,
spray
paint on
canvas
240
x 180cm
Another example is the alert reality
envisaged in 'Midnight Rambler' a painting
that captures the wild,
sophisticated
and
primordial life. In my he
ad it's all wild.
In my head is dark.
Music playing all the time.
I am moody
and
fucking crazy
2014
oil, acrylic,
spray
paint on
canvas
240
x 180cm
Another example is the alert reality
envisaged in 'Midnight Rambler' a painting
that captures the wild,
sophisticated
and
primordial life. In my he
ad it's all wild.
In my head is dark.
Music playing all the time.
I am moody
and
fucking crazy
I painted a series of alliterations of
my life. My life is crude and awesome. I
stick my dick out in the
clear of the day.
I go to the beach and swim
like no
other. Like a moth
erfucker. Fuck the fox
catcher.
I am prey to the sensitives and the fugitives of the world.
Let's all run in he
aven on skateboards
and smile for a year
like Yoko.
Tu es
mi fuoco
my life. My life is crude and awesome. I
stick my dick out in the
clear of the day.
I go to the beach and swim
like no
other. Like a moth
erfucker. Fuck the fox
catcher.
I am prey to the sensitives and the fugitives of the world.
Let's all run in he
aven on skateboards
and smile for a year
like Yoko.
Tu es
mi fuoco
Come in my studio and stay. I want you to stay
here with me and Riri.
I am going to show you wh
at's in my pants and under her
skirt. I am going to make love
to you in the blue skies. In the
forever mores of my love I am going to fuck the words out of you. You are
going
to leave flowers by my
head
Morning color
I am on my own
with my
millions
I kept it open
that's why it's tropical
and illogical.
I am smoking
on my own worries
and nothing to do with my friends
but you make me think of that happy life
when I am alone
And I am so happy
I fucking shine
Talk me through the stages of your alcohol
Was it all real?
I am on my own
with my
millions
I kept it open
that's why it's tropical
and illogical.
I am smoking
on my own worries
and nothing to do with my friends
but you make me think of that happy life
when I am alone
And I am so happy
I fucking shine
Talk me through the stages of your alcohol
Was it all real?